This research aims to provide a critical examination of the Russian avant-garde, focusing on the iconic Suprematist opera "Victory Over the Sun." The research delves into the linguistic complexities of the Zaum language and its manifestation within the opera, which was a radical departure from conventional narrative and aesthetic forms. A revolutionary work at the time of its debut in 1913, the opera integrated Kazimir Malevich's Suprematist visual principles with Aleksei Kruchenykh's fragmented Zaum poetry, resulting in a performance that eschewed traditional storytelling for abstract ideological expression. My research navigates the nuanced translation challenges posed by the morphological peculiarities of Zaum, aiming to preserve its original spirit while addressing feminist critiques of the opera's inherent and historical misogyny. The study advocates for a translation approach that maintains Zaum's objectivity while incorporating necessary subjective interpretations to resonate with contemporary feminist discourse.