Victor Sierra Matute

Wolf Humanities Center Regional Fellow

20252026 Forum on Truth

Victor Sierra Matute

Assistant Professor of Spanish and Comparative Literature, Department of Modern Languages and Comparative Literature, Baruch College, City University of New York

Victor Sierra Matute is a scholar of early modern and colonial Hispanophone studies whose work connects material culture, sound studies, visual and performing arts, transoceanic exchange, and the history of emotions. He is the editor of Soundscapes of the Early Modern Hispanophone and Lusophone Worlds (Routledge, 2025) and is completing his first monograph, A Sense of Empire: Perceptual and Material Foundations of Early Modern Iberian Colonialism, a study of how sensory experience, material objects, and built environments converged to shape—and to challenge—colonial power across the early modern Hispanophone and Lusophone worlds.

Sierra Matute served on the PMLA Advisory Committee for “Spanish, pre-1800” (2020-23) and currently sits on both the executive committee of the Global Hispanophone Forum and the Program Committee of the Modern Language Association. His work has been published in journals such as Romanic Review, Bulletin of Hispanic Studies, Romance Studies, Latin American Research Review, Romance Quarterly, and Bulletin of Spanish Visual Studies.

My Word as Law: Truth, Sound, and the Contest of Knowledge in Colonial Latin America/Abya Yala

This project investigates how “truth” was constructed in colonial sonic practices within the early modern Iberian empire, highlighting tensions between written authority and oral expression. Grounded in the sensory histories of colonial Latin America and indigenous Abya Yala, it reveals how clashing knowledge systems reshaped the roles of sound and text. This project focuses on colonial authorities, indigenous traditions, and intermediate practices to examine how native communities confronted the imposition of writing as the repository of truth by challenging its authority or blending it with oral forms. Through close readings of conquest narratives, legal doctrines, and firsthand testimonies, the research demonstrates that sound functioned as a communicative medium and a strategic instrument of power. This project reimagines truth’s sensory dimensions, tracing its colonial entanglements into the present.