Spencer Small is a scholar of Soviet and Post-Soviet literature, culture, and digital media. He earned his PhD from Yale University in Slavic Languages and Literatures. His research investigates the relationships between narrative, art, and politics. Spencer is affiliated with Penn’s Department of Russian and East European Studies and is working on his book manuscript, The Ethical Pact in Russophone Wartime Writing. His project combines literary analysis with narrative ethics to develop the ethical pact as an original theoretical tool of narratology to study the intersections of ethics and cultural expression through first-person Russophone wartime narratives of the 20th and 21st centuries. Before joining the Wolf Humanities Center, Spencer was a lecturer of Slavic Languages and Literatures at Yale.
Spencer Small
Andrew W. Mellon Postdoctoral Fellow in the Humanities
2025—2026 Forum on Truth
Spencer Small
Russian and East European Studies
Yale University, 2024
The Ethical Pact in Russophone Wartime Writing
The Ethical Pact in Russophone Wartime Writing investigates the importance of ethical relativity in war narratives, and how ethics, notions of guilt or innocence, responsibility or culpability, are discursive appendages that often obscure the more nuanced relationships between culture and state power during times of war. Questions of how Russophone writers have conveyed the “truth” of wartime experiences strike with renewed resonance after Russia’s full-scale invasion of Ukraine. Vladimir Putin’s reliance on false narratives and distortions of history to justify his illegal invasion of Ukraine since 2014 have necessitated both academic and artistic resistance to set the record straight. This imperative motivates the final chapter of The Ethical Pact that focuses on Russia’s ongoing war in Ukraine and the relationship between present day Russophone writing cultures and Russian militarism. Ultimately, The Ethical Pact explores what it means for there to be an ethics of narrativizing Russian war, of what it means to tell “true” stories about war, even as notions of truth are radically altered by political, cultural, and ethical contexts.


