Shivani is an architectural historian of the non-western world focusing on social movements, cultural practices, and intellectual currents of anti-colonialism and anti-capitalism in the nineteenth and twentieth centuries. During her fellowship year, she will be affiliated with the department of History of Art where she will work on her first monograph, Toward an Architectural Commons: Afro-Asians and the Labors of Development After Empire. This work will look to a period of decolonization when activists built new international institutions to pool resources, share knowledge, and exchange ideas from 1957-1989; and demonstrates how architectural production—drawings, writings, technical documents—enabled new forms of communing as activists engaged with these transnationally circulated artifacts to shape their shared postcolonial futures. Her dissertation, which forms the basis of this project, received the Society of Architectural Historian Dissertation Award, and has been supported by the Graham Foundation for Advanced Studies in the Fine Arts as well as the Princeton Institute for International and Regional Studies.
Shivani Shedde
Andrew W. Mellon Postdoctoral Fellow in the Humanities
2026—2027 Forum on Practice
Shivani Shedde
History of Architecture
Princeton University, 2025
Toward an Architectural Commons: Afro-Asians and the Labors of Development After Empire
"Toward an Architectural Commons: Afro-Asians and the Labors of Development After Empire" combines historical research, geographical enquiry and visual analysis to trace the protean dimensions of anti-colonial struggle in post WWII Africa and Asia, showing how architectural and spatial ideas were an essential, if contested, infrastructure to build commons across national borders. Through different approaches to the problem of 'development,' it shows how Afro-Asian activists pursued anti-capitalist internationalisms, mobilizing writings on architecture, ideas of craft, and theories of space to tie their local struggles to the international. On the other, it argues that these emergent modes of solidarity were rivalled by the emergence of new Afro-Asian institutions, whose members collapsed the pursuit of self-reliance with the defense of state capital accumulation, concretized in several architectural and exhibitory projects. The project reveals how these visions of development—from activists who advocated for national liberation, and from institutions that sought national development—can be understood as two competing visions for building “Afro-Asian” collectivism and fraternity. By positioning these internationalist overtures as a modes of labor against imperial intervention, Dr. Shedde argue that renewed attention should be paid to "spatial practices" in historical research, highlighting the ways in which Afro-Asian activists contributed in novel, and previously overlooked, ways to theorizing liberation.


