Sarah Lopez

Wolf Humanities Center Penn Faculty Fellow

20262027 Forum on Practice

Sarah Lopez

Associate Professor, Departments of City & Regional Planning and Historic Preservation, Weitzman School of Design

Sarah Lopez is an Associate Professor at the University of Pennsylvania in the Stuart Weitzman School of Design. Lopez is a built environment historian of 20th century Mexico and the United States whose research focuses on material histories of migration, remittance development and landscapes, and migrant incarceration. Her teaching addresses the use of interdisciplinary methods (including ethnography) to study space and society and the relevance of micro-histories for contextualizing the past and fighting for the future. Lopez is working on a monograph entitled Overburden: Mexican Stone Workers Build North America. These grants and fellowships have supported her work: Princeton-Mellon in Architecture, Urbanism, & the Humanities; Dumbarton Oaks/Harvard Fellowship in Urban Landscape Studies; Center for the Study of Visual Arts (CASVA) at the National Gallery; and MacDowell.

Overburden: Mexican Stone Works Build North America

In Mexico, cantera (a Spanish word that means quarry) doubles as a commercial term to describe “Mexico’s marble,” mottled volcanic tuff found in approximately ten Mexican states. While tuff was used to build pre-Columbian sites like Mitla, Oaxaca, it is more characteristic of the civic and residential architecture of New Spain. In the recent past, since the 1970s, Mexicans living in the United States have engineered a market to bring cantera north that caters to a predominantly Mexican and Mexican American clientele. Along with the migration of stone, Mexican albañiles (builders) and artisanal stonemasons also migrate, transforming construction practices and artisanal knowledge across boundaries. This book is a material history of North America’s tuff networks that tracks the excavation, carving, distributing, installing, and commissioning of cantera stone over the last fifty years. Beginning with the geologic formation of Mexico’s volcanoes, the book moves from quarries in Huichapan to artisan towns in Jalisco to construction sites in Texas to migrant restaurants in California to tell a binational history of relationships interlocked by circulating stone, people, and ideas. Within this comparative frame, it is possible to explore what moving cantera means and for whom as well understand how building itself is one of the mechanisms through which marginalized individuals in both Mexico and the United States reposition themselves, staking claim to both places and futures.