Sara Kazmi is Assistant Professor of English at the University of Pennsylvania. She is a scholar and translator whose work takes an interdisciplinary approach to the study of anticolonial, left, and oppositional literary production in South Asia and its diasporas. She is currently working on a book titled Ante/ Anti-Border: Literatures of Resistance in India and Pakistan. Sara is also a core team member of the Revolutionary Papers collective, a transnational research collaboration exploring 20th century periodicals of left, anti-imperial, and anticolonial critical production. In addition to her work as a scholar, Sara is a performer and student of Indian classical music. She blends ragas with folk tunes in renditions of protest music from South Asia, some of which are archived at mein.beqaid (I, uncaged) on Instagram.
Sara Kazmi
Wolf Humanities Center Penn Faculty Fellow
2026—2027 Forum on Practice
Sara Kazmi
Assistant Professor, English
Ante/ Anti-Border: Writing Resistance in India and Pakistan
This project analyzes left, feminist, and anticaste literatures produced by progressive intellectuals from Punjab, a border region split between India and Pakistan. Titled Ante/ Anti-Border: Writing Resistance in India and Pakistan, the monograph shows how Punjabi writers drew on regional precolonial oral, musical, and performative practices to critique caste, patriarchy, and authoritarianism in postcolonial South Asia. Dr. Kazmi argues that by interpreting and referencing key genres embedded in performative cultures that pre-date the national divide, these authors constituted a border-crossing literary culture that traversed, and indeed, actively challenged the colonially-drawn boundary between the two nation-states.
Ante/ Anti-Border is a multi-modal project that brings together Dr. Kazmi's scholarship with her creative practice as a performer and translator. The monograph will be accompanied by a curated playlist of musical and performative texts analyzed in the book. This playlist will feature original recordings that Dr. Kazmi is working on as part of a Sachs Foundation grant, and original footage of performances by activist and artist communities she has engaged with over the past fifteen years in Pakistan. Weaving together musical and poetic archives, the project shows how contemporary literature in India and Pakistan engages and reworks popular performance and vernacular practice.


