The novels of Aravind Adiga feature an emerging class of waged male domestic workers in neoliberal South Asia and the South Asian diaspora. Through their complication of mappings that understand domestic work as feminizing work and wage work as masculinizing work, the male domestic worker provides a queering opportunity of binaristic gender. Reading the destabilizing presence of Adiga’s protagonists on the home’s coherence, I argue that the male domestic worker occupies a necessarily genderqueer position. This analysis reads these subjects’s erotic tonality, the disintegration of realist form, and drag-like practice in The White Tiger (2008) and Amnesty (2020) to argue that the material conditions of these economically marginalized subjects create conditions that mandate androgynizing gender practice. Joining the discourses of Marxist feminism, trans studies, critical race studies, performance studies, and diaspora studies, this work serves to understand the gendering practice that operates on, through, and by male domestic workers.