Caitlin Adkins

Wolf Humanities Center Associate Scholar

20252026 Forum on Truth

Caitlin Adkins

Ph.D. Candidate, East Asian Languages & Civilizations

Caitlin Adkins is a Ph.D. Candidate in the Department of East Asian Languages and Civilizations at Penn. She specializes in topics of gender, labor, and media, specifically in Japan, with broad interests in feminist and queer theory, law and society, and film and literature. Her dissertation examines figurations of female criminality in Japanese contexts, clarifying connections between media representation and legal processes that are critical for understanding 21st century social movements. Her research has been awarded generous support, including the Phyllis Rackin Graduate Award and the E. Dale Saunders Council on Buddhism Prize for Excellence in Japanese Studies. She has served in various roles at Penn, most recently as Teaching Fellow (EALC/ RELS) and Graduate Associate (GSWS). She holds an M.A. from the University of Michigan’s Center for Japanese Studies and a B.A. in Japanese Studies summa cum laude from the University of Findlay.

Manufacturing Truths for Trial: Spectacles of a Japanese Woman in Leftwing Politics

This project at the Wolf Humanities Center is for a dissertation, The 'Criminal Woman' in Contemporary Japan: Sexualizing Spectacle and Mediating Law. It focuses on Shigenobu Fusako (b. 1945), a once leading member of a Middle East-based branch (est. 1971) of the international extremist group The Japanese Red Army (JRA). From proletariat-aligned unions to New Left student protests, a domestic social order in 20th-century Japan often precluded women from representative roles in political movements. By comparison, Shigenobu had authority and visibility domestic and abroad. The project will examine the vast media coverage of Shigenobu, how she is identified both an “extremist” and a “revolutionary,” and trace the effects of these portrayals on her 2000s trial on conspiracy charges. The project will also demonstrate that the media spectacle around Shigenobu manufactured competing truths about female embodiment and political agency that had consequences for broader social and legal negotiations in and beyond Japan of permissible political action for women in the 21st century.